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Inscription: in plate within image lower left: 'Price one Shilling Coloured'; below image left: 'Woodward del.'; center: 'MURPHY DELANEY. / [two columns of verse]'; right: 'Rowlandson Sc'; above image right: '4'. Description from the Metropolitan Museum, New York.

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A young woman drinking wine and having her foot 'treated' by an old female chiropodist. Inscription: 'Rowlandson 1805'.

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Engraving (partly coloured). A fat barrow-woman wheels a barrow on which are a few potatoes and scales. Behind her stands a fat woman with a large basket on her head; a man walks past with a pole from which ducks are suspended. All cry their wares. Small derelict houses are suggested in the background. Description from the Catalogue of Political and Personal Satires Vol. VIII.

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Scene in the Covent Garden, the church on the left. A pretty flower-girl, her basket on her arm, holds a nosegay in each hand, acosting (?) a Persian, who is curiously dressed in a long furred gown, with a high hat, and slippers on bare feet. He holds a rod or (?) a taper. Behind (left) a flower seller sits beside her basket; a hawker with a basket walks past. Description from the Catalogue of Political and Personal Satires Vol. VIII.

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Scene under the piazzas, Covent Garden. A blind man advances, shouting, his stick and hat held out, towards two pretty young women, one of whom drops a coin in the hat. On his chest is a placard: 'Poor blind man'. Behind (right), an exaggeratedly slim and foppish officer helps a lady from a coach. Description from the Catalogue of Political and Personal Satires Vol. VIII.

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Inscription: in plate within image lower left: 'Rowlandson 1811'; center: 'Light your Honor Coach unhired'. Description from the Metropolitan Museum, New York.

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Aquatint (coloured impression). An altercation between a wherry that contains three males and a female and a rowing boat also containing three men and a woman. The occupants of the latter shout at the wherry passengers and the female passenger bares her buttocks to the people in the wherry, much to their horror. A more peaceful scene takes place in the background with a sailing boat and a windmill. Description from Royal Collection Trust.

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Inscription: in plate within top image lower left: 'Pub July 14 1812 by T Rowlandson N 1 James St. Adelphi'; lower right right: 'Rowlandson 1805'; below top image center: 'GLOW WORMS'. Description from the Metropolitan Museum, New York. Companion print of F741.5(R)/28.

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Bottom image center: 'MUCK WORMS'. Companion print of F741.5(R)/27.

Scope and Contents Below, an angry gambler is seated next to a table with a pistol, dice, purse, dice-box, and an open pocketbook which is inscribed 'Money Lost 10.000.' His wife is startled in bed at left. Inscription: in plate below both images at left: 'Rowlandson Del'; below bottom image center: 'THE GAMESTER GOING TO BED.'; left: 'London Pub.d July 31 1811 by T. Rowlandson / N 1 James Street Adelphi'. Typically paired with 'The Huntsman Rising', Rowlandson. Description from the Metropolitan Museum, New...

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Below, a woman rolls dough while a man puts his arm around her and touches her chin. Inscription: within lower image bottom center: 'Pub.d November 20th 1810 by Tho.s Tegg No. 111 Cheapside'; below image left: 'Price One Shilling / Coloured'; center: 'PUFF PASTE.'; right: 'Rowlandson Del.' [Typically paired with 'Mock Turtle', Rowlandson]. Description from the Metropolitan Museum, New York.

Scope and Contents A fashionably dressed woman sits in profile to the left, at an ornate table raised above the floor of the café, studying a pamphlet or menu on which is the word Paris. Her arm-chair is decorated with ornaments, the arm terminating in a ram’s head. Customers and waiters (left) are on a smaller scale. Columns with ornate capitals support the roof, and the wall is decorated with large paintings of nude and heroic figures. The Café des Milles Colonnes was renowned for its gilt columns and...

Scope and Contents Engraving (coloured impression.) A plump, comely woman sits full-face behind a table whose surface forms the base of the design. Her dress is cut low, and her hair piled in a pyramid; her back is reflected in a large wall-mirror. On the table are trays filled with cards, dishes of fruit, a reading lamp, and a plant in a pot. A thin elderly woman, similarly dressed, stands looking at her profile on the right. On the same plate as La Belle Liminaudiere, a companion print. Véry heads the list...

Scope and Contents Miseries of Human Life series. In a cottage room a sick man lies in a ramshackle uncurtained bed, on the foot of which sits a woman. Four children stand beside her, two younger ones are by the fire, at which a woman is cooking. Another woman stands at a wash-tub. Sheets hang on a line. A dog puts his paws on the bed. Over the fireplace are plates and a gun; a bird is in a wicker cage. The man’s coat and top-boots are on a chair beside him. Below: 'sickness befriends temperance, by the...

Scope and Contents Second print in the Miseries of Human Life series. Two elderly men, and four ladies, two very fat, are scattered over miry ground, some ankle-deep, and without shoes. One man holds his shoe, a young woman retrieves one from the mud. Four scampering pigs, beset by a dog, and two hissing geese, suggest a farm-yard. Wind aggravates the disaster; an umbrella is blown inside out, a hat and wig fly upwards. One woman has reached a gate (right) to which she clings. Below: 'While you are out in a...

Scope and Contents Third print in the Miseries of Human Life series. A skating scene. A man with legs widely spread, poised on the back of his skates, throws up his arms and is about to crash backwards; his hat flies in the air. Beside him (left) a man falls through the ice. A young man pushing a woman in a chair, absorbed in the falling man, is about to propel her into the hole. A stout man staggers wildly on one heel, kicked by a military officer (right) skating rapidly to the right. A little boy with a...

Scope and Contents Fourth print in the Miseries of Human Life series. A scene in the Strand, showing Ackermann’s shop. In the foreground a man and dog chase a hat, followed by a small butcher’s boy (left). Two fat women with baskets on their heads watch from the right. On the pavement is an amused muffin-man, ringing his bell. A woman helps herself to a muffin. A young woman stands on the pavement, her hands in a large muff, her feathered hat sailing upwards. In the middle distance the road is blocked by a...

Scope and Contents Fifth print in the Miseries of Human Life series. A crowd outside a lamp-lit theatre door (right) set in a colonnade; slanting rain streams towards them. A stout man and woman stand together, looking round in distress, while a ragged link-boy shouts at them. Younger ladies stand behind. A prostitute accosts a fop. A sedan chair rests on the ground, held by one chairman only. Two carriages drive in opposite directions, the coachman violently flogging the horses. Below: 'After the play, on a...

Scope and Contents A man enters a room where three men and two ladies stand at a dinner-table, waiting for him, all frankly amused at his appearance. He wears a great-coat, many sizes too large and knee-breeches which hang to the ankle. His large obese host laughs, holding his sides. A grinning and loutish footman holds the chair which he is to take; another servant, also grinning, enters behind the unfortunate guest. W.L. portraits fill the spaces between the pseudo-Gothic windows. Below: 'Starting for a long...

Scope and Contents Seventh print in the Miseries of Human Life series. Fox-hunters, tipsily hilarious, at the dinner-table, with bottles, glasses, and punch-bowl. One stands on a chair giving a toast (left), another straddles the backs of two chairs, as if riding; he shouts, flourishing a whip. They wear or wave hunting-caps and wear top-boots, except for one elderly man who turns from the table in disgust. Three dogs add to the noise. On the wall are antlers and a hunting-piece. Below: 'Dining, and passing...