Correspondence including handwritten letters and printed emails on logistics, general correspondence relating to Dragon Ladies.

Correspondence regarding Marisa Carnesky's performance and participation at SmutFest.

Correspondence regarding performances and bookings.

Rejection responses to production applications from the CCA, the Stanley House and Rapido and application to the Lba Theatre Fund.

Email correspondence regarding regarding addendum to the contract with The Raymond Revuebar Theatre and a notification of agreement with cLUB bENT, London Bixton Shaw.

Various agreements between Marisa's company and performing venues including with Thames Television, Dance Chisenhale Space, cLUB bENT, It's Queer Up North, World of Wonder and Zap.

Documents related to funding applications including rejections and inquiries clarifying application information.

World of Wonder payment letter and payment receipt.

Funding application to the London Art Board for the Grotesque Burlesque Revue production.

A list of performances put on for a Christmas show and a list of performances put on for the Pleasure Promenade.

Write-ups for Dragon Ladies, Marisa Carnesky and performances put on by the company or herself as an individual.

Promotional material and venue programmes.

Photocopied press materials, as well as photos and graphic media relating to the troupe.

Press and other promotional material, includes press releases, ticket stubs and hangings.

Details about the venues for cast and crew, technical specifications for their performance.

Technical specifications per performer involved in the SmutFest show.

Details on stage configuration, lighting and other build information.

Drawings of set concept, as well as annotated scripts describing set concept in conjunction with the dialogue.

Notebook containing notes on devising performances and general company management information.

Notebook containing notes on devising performances and general company management information.