Marisa Carnesky Collection
Scope and Contents
This collection contains research material, business records, grant applications, project planning documents, contracts, programmes, posters, handbills, newpaper cuttings and other records relating to Marisa Carnesky's career as a showwoman. The records comprise the production and travelling of Marisa's shows including Carnesky's Ghost train, SmutFest, Jewess Tattoess, Dragon Ladies, Chamber of Horrors, Dystopia, Magic War, The Incredible Bleeding Woman and Tarot Drome.
Dates
- Creation: 1970 - 2010
Creator
- Carnesky, Marisa, Born 1971 (Person)
Conditions Governing Access
Most items are available to view by appointment in the NFCA reading room. Restrictions apply to documents containing personal information
Conditions Governing Use
Copies may be supplied or produced at the discretion of National Fairground and Circus Archive, subject to copyright law and condition of the material
Biographical / Historical
Marisa Carr works under the stage name Marisa Carnesky. She has been at the forefront of innovative theatre practice and new circus for the last two decades and has received the Laurence Olivier Award-Best Entertainment 2004, Edinburgh Festival Herald Angel Award 2005 and Time Out-Best Theatre 2004.
Originally trained as a ballet dancer, Marisa studied Performance and Fine Art at the University of Brighton. Since graduating she has shown her work worldwide, from solo shows; Jewess Tattooess and Magic War, to larger scale works and group shows. Her best known and biggest show, Carnesky´s Ghost Train, first seen in London´s Brick Lane in 2004, is now permanently situated at the Flagstaff Gardens, Blackpool.
Over the past decade Carnesky has been wowing audiences and critics alike with her spectacular shows, where experimental performance meets the traditional language of magic, burlesque and the fairground. Delving into strange worlds, Marisa´s work finds a voice for subjects both bizarre and serious, where disappeared daughters cross haunted borders and religious taboos are challenged.
For three years, Marisa Carnesky was the AHRC Creative and Performing Arts Fellow at the National Fairground Archive. To celebrate this fellowship, The University of Sheffield presented a spectacular exhibition and a feast for the senses, Memoirs of a Showwoman. Displays showcased costumes from Marisa´s shows, including the dress worn by Paloma Faith for Carnesky´s Ghost Train, collaborative work with artists such as Anthony Bennett and Mark Copeland, inspirations from the archive and unseen material from Marisa's personal archive.
Extent
16.5 Linear metre(s) (16 boxes, 1 folder and 39 framed posters)
Language of Materials
English
Dutch; Flemish
French
Spanish; Castilian
Hebrew
Danish
Finnish
Croatian
Portuguese
Arrangement
Catalogued according to type
Accruals
Further accruals expected
Cultural context
Occupation
Topical
- Status
- Completed
- Author
- Created by Jane Donaldson Updated by Arantza Barrutia on Finding Aid Date field date Further accruals T274 processed by student placements June 2023 and revised by Arantza Barrutia October 2023
- Date
- 20 September 2019
- Description rules
- International Standard for Archival Description - General
- Language of description
- English
- Script of description
- Latin
Repository Details
Part of the National Fairground and Circus Archive Repository
The University of Sheffield
Western Bank
Sheffield South Yorkshire S10 2TN United Kingdom
0114 222 7231
lib-special@sheffield.ac.uk