Bertram Mills Circus (1920 - 1967)
Dates
- Existence: 1920 - 1967
Biography
Bertram Wagstaff Mills was born in London on August 11, 1873, the son of Halford Lewis Mills of Smarden, the proprietor of a coach building firm and funerary company.
Bertram became part of the family business as a carriage builder and only became involved in the circus through a wager in 1919 of £100 from Sir Gilbert Greenhall, a fellow coaching enthusiast, who was encouraged by R.G. Heaton, the Managing Director of Olympia to put on a first class circus after watching what was in his eyes a very disappointing show at Olympia.
Mills has originally planned to win the wager by engaging Ringling Bros and Barnum and Bailey to come to London for the 1920-1921 season but cancellation of the contract resulted in Mills decided to put on his own show. He rose to the challenge and the following year he presented a circus which would become an annual highlight for London audiences and introduced world class performers to the British public.
Between 1930 and 1964, and alongside his annual shows at Olympia, Bertram Mills Circus toured the country under the management of his sons Cyril and Bernard. Following the lines of excellence, production and performance standard set by the Olympia shows, according to Bertram Mills, ‘The Mills Circus will perform like professionals and live like gentlemen."
After approximately nine years of exhibiting in London, he created a tenting show which was said to have cost £40,000 to launch and £2500 to run weekly. With the crème de la crème of circus performers forming part of his touring repertoire, regional audiences thrilled to some of the leading artists of the day appearing in the specially designed German big top which travelled by their town by rail, the first British showmen to do so.
Bertram Mills’ status as an innovator and re-invigorator of the circus was heralded on both sides of the Channel. He only selected the best and most polished performers in the world and one of his major impacts as a producer was his ruthless ability to select the best five minutes of a twenty minute act. Circus historian Don Stacey lists these as part of his five principles the others being the ability to attract and convert influential people to the cause of the circus, using individual acts to promote as the star of the show with his treatment of Koringa being a case in point, and finally his ability in using publicity and marketing for the benefit of the show. As one contemporary commentator observed, 'It is not an exaggeration to say that he brought back the circus to England at a time when it seemed that it was about to quietly expire, killed by the War and mechanical entertainment'.
Mills believed in attracting and encouraging the attentions of the great and the good and following on a tradition laid out in the nineteenth century when circus was patronised greatly by the Royal Family, he aimed to make the Quality Show part of the establishment. From 1926 onwards following a visit of the then Prince of Wales to Olympia, the association between the Bertram Mills Circus and the Royal Family resulted in over sixty visits to the shows during its time in Olympia and other venues.
Bertram Mills became President of the Showmen’s Guild of Great in 1935, only the second circus showmen to hold such a position and the first and only time in its history that the position was occupied by someone not born into the business. He proved to be a successful and capable President, often travelling thousands of miles on Guild business including attending the First International Showmen’s Congress in Paris in 1937. Also this year Bertram Mills was the first circus in the world to be televised.
Mills died at the age of sixty-four of cardiac syncope and bronchial pneumonia on 16 April 1938 at his home, Pollards Wood, Chalfont St Giles, the day the tenting circus opened, at Luton, but the circus opened that evening. His death was greeted by the public and industry alike with shock as tributes to Britain’s No 1 Showman and King of the Circus appearing on the newsstands. However, the legacy he built was second to none, the principals laid down by the Quality Show with its attention to detail, model professionalism and quality of acts would be continued by both his sons and provided a template for the industry to follow.
By 1965 Bertram Mills Circus was in decline due to raising costs and the new way of competition the advent of television brought to the entertainment sector. The last winter season at Olympia was delivered by catering and hotel magnate Maxwell Joseph who leased the business for the 1966-1967 season, which will be the last one. Bertram Mills Circus closed 1967.
Found in 219 Collections and/or Records:
Circus Photographs, 1953 - 1992
Colour and black and white photographs of Jay Miller's Circus, Mike Austin's Circus, Gerry Cottle's Circus, Robert Brothers Circus, Chipperfield's Circus, Circus Krone, Circus Paulos and Gandey's Circus including tents, performers and acts, also Bertam Mills and Blackpool Tower Circus posters, circus enthisiast events, circus models, also a wedding at Galaxy Circus.
Circus Photographs, 1910 - 1964
Circus Photographs Scrapbook, 1934 - 1975
Scrapbook of photographs, relating to multiple circus and acts including Chapman's Bertram Mills, Lord George Sanger's, Chipperfield's and Bostock and Wombwell's, 37p.p.
Circus Scrapbook, 1949 - 1961
Scrapbook containing newspaper and magazine cuttings on British and foreign circuses in colour and black and white, including Circus Medrano, Hunt Bros. Royal International Circus, Bertram Mills, Smarts, Fossetts, Ringling Bros. and Barnum and Bailey amongst others, some obituaries, wedding news and other articles on performers and circus news, 34p.p.
Circus Spell Binders and Rings Around the World Films, c1965 - 179
Circusama, Yesterdays Circus Today. Super8, Boots. 300 feet, 20 minutes long. Includes Bertram Mills Circus. Silent. Sound strip. Copied to DVD 6 and DIGI-BETA.
Circus Thrills Film, c1945 - 1960
16mm, Agfa. 4 minutes long. Black and White, Silent. Includes Bertram Mills Circus. Clapham Park Films Studios. Copied on DVD 4 and DIGI-BETA.
Contract, 12 December 1932
Top section of contract between Bertram W. Mills Circus and Miss Testo, Snake Charmer, to furnish and exhibit three snakes. Black type on light green paper, 2p.p.
Cyril Critchlow Collection
Den Curtis' Photographic Albums, 1936 - 1969
Photographic albums put together by Den Curtis, containing black and white photographs of circuses, performers and animals with annotations, including Sanger, Chipprefields, Bertram Mills, Smarts, Hoxie Bros., Blackpool Tower, Belle Vue, Robert Bros., Fossett and Luckens Continental Circus and others, also some loose photographs removed from the albums.
Den Curtis' Photographic Albums, 1936 - 1969
Photographic albums put together by Den Curtis, containing black and white photographs of circuses, performers and animals with annotations, including Sanger, Chipprefields, Bertram Mills, Smarts, Hoxie Bros, Blackpool Tower, Belle Vue, Robert Bros, Fossett and Luckens Continental Circus and others, also some loose photographs removed from the albums.
Digger Pugh Collection
Archive of the Digger Pugh family including newspaper cuttings, photographs, negatives, business records, programmes, research material, posters and films.
Durrant's Press Cuttings, 1930 - 1955
Films, c1930 - 1990
Amateur and commercial films on multiple formats, focusing mainly on Circus but also including transport, fairs, fairground rides and other types of travelling entertainments.
Films, 1927 - 2007
Compilation of circus films showing acts on the ring as well as interviews with performers and proprietors, mainly produced by tv companies in the UK and Europe. Many of them narrated in German.
Films, c1950 - 1959
Please notice that 178D24.4 contains scenes of animal cruelty and human fatalities. Copies of films on DVD format showing performers at various circus around the world, travelling scenes, scenic views, performers behind the scenes, film sets. Black and white and colour, sound.
Frank Foster Business Card, c1930 - 1950
Business card for Frank Foster, Equestrian Director at Bertram Mills Circus. White card, black text and illustrated with a black and white photograph of Frank Foster, shown in costume. 1 p.
Fun at the Circus Film, c1945 - 1990
Circusama and Yesterdays Circus Today. 16mm, Cyldon. 400 feet, 16 minutes long. Black and white, silent. Includes Bertram Mills Circus. ‘Nature Playground’ on reel. Movie-pak series. Copied to DVD 2 and DIGI-BETA.
Fun at the Circus Film, c1945 - 1990
Circusama and Yesterdays Circus Today. 16mm, Cecol. 400 feet, 11 minutes long. Black and white with sound. Includes Bertram Mills Circus. Copied to DVD 2 and DIGI-BETA.
Here's The Circus Film, 1955
Circusama and Yesterdays Circus Today. 16mm. 400 feet, 11 minutes long. Black and white with sound. Includes Bertram Mills Circus. Copied to DVD 2 and DIGI-BETA.
Here's The Circus Film, 1955
Circusama and Yesterdays Circus Today. 16mm. 400 feet, 11 minutes long. Black and white with sound. Includes Bertram Mills Circus. Copied to DVD 2 and DIGI-BETA.