Circus Friends Association of Great Britain (Established 1934)
Biography
The CFA, formerly known as the Circus Fans Association was stablished on Saturday 20th January 1934 in the ring of Bertram Mills Circus at Olympia, London by a group of enthusiasts. The CFA’s purpose remains the same as in its conception; to stimulate, foster and promote enthusiasm for circus and related performances as part of British culture.
During 1934, the pattern for CFA activities was established, with the formation of the library, the publication of The Sawdust Ring magazine and the first rallies, including ones to the Hippodrome Circus in Great Yarmouth and Blackpool Tower. The annual subscription at the time was one guinea for residents in a radius of 60 miles from London 'as defined by Automobile Association handbook', and half a guinea for those residing outside that area, in the provinces. 'For residents in the Colonies and foreign counties' the subscription was 7/6.
The first President of the CFA was Lady Eleanor Smith (1902-1945), the eldest child of the politician F. E. Smith. Lady Eleanor Smith was an author, a society reporter and cinema reviewer and worked as a publicist for circus companies.
Other notable presidents were; Dame Laura Knight (1877-1970), the most celebrated British impressionist female artist of all time and the first woman to ever be elected to the Royal Academy. The actor Sir Cedric Hardwicke (1893-1964), wine merchant and philanthropist Sir Walter Gilbey (1831-1914), theatrical manager and empresario Sir Charles B. Cochran (1872-1951), Sir William Savory (1882-1961), author Antony Hippisley Coxe and Commander W. J. Gerard.
The first five years of the CFA saw the firm establishment of the Association its activity, although it was active by Alfred 'Dickey' Bird. The post-war years were difficult but the CFA continued operating with the same aims and ambitions.
The library was started in 1937, as a gift of 30 books from A.C. McLachlan. Others titles were acquired by purchase or donation. It contains books on virtually every aspect of circus life from individual acts, to acts of Parliament, from erecting a Big Top, to the logistics of transporting circuses, works of fiction, photography and juvenile literature all of which help to create a greater understanding of the many contrasts in circus life; of the romance, tragedy, spectacle and hardships.
Notable authors who have contributed to the myth and legend of circus include Lady Eleanor Smith, who in 1945, donated all her circus books to the CFA, Ruth Manning-Sanders and Courtney Ryley Cooper, an American writer who, after having first joined a circus aged 16, went on to write crime books and ghost-wrote articles under J. Edgar Hoover’s name in the 1930s.
After the war lists of holdings were printed and distributed to members, who could borrow a book at a time by post. By the mid 1970s, the ‘Library Catalogue’ listed 525 books and a ‘Circusiana’ section was created for valuable books, for reference only.
The CFA continues maintaining the collection, ensuring its growth and establishing it as the primary, national collection of books on circus.
The CFA has also amassed one of the most fascinating and important collection of circus related material in the United Kingdom expanding over 200 years. This material has supported research and literature produced by its members over the years and has ensured that an important part of British circus history will be available for future generations of researchers and enthusiasts.
The association has always welcomed enthusiasts and circus artistes to it’s membership and has always produced a regular publication giving news, reviews and articles on circus artistes and personalities and reviews of British and foreign circuses. The current quarterly magazine King Pole, named after the masts, which support a circus tent, is regarded as one of the leading circus periodicals in the world.
The CFA continues to organise visits, formerly called rallies, for the members, to UK circuses and recognises the achievements of those involved in circus with special awards.
After almost 85 years in existence the CFA continues to flourish with membership being maintained in the region of 500 comprising both British and subscribers from abroad.
Found in 1288 Collections and/or Records:
Fillis' Great Circus Poster, c1800 - 1899
Films, 1927 - 2007
Compilation of circus films showing acts on the ring as well as interviews with performers and proprietors, mainly produced by tv companies in the UK and Europe. Many of them narrated in German.
Fossett and Bailey Circus Programme, c1900 - 1999
Black type on off white paper, programme inside. Printed by R. J. Acford Ltd, Lennox Street, Bognor Regis, 2p.p.
Fossett Circus and Ginnett and Fossett Circus Programmes, 1940 - 1980
Fossett Circus programmes including Jimmy Fossett's Circus, Ginnett and Fossett and Fossett Brothers Circus, containing black and white and colour photographs of acts and performers, text, programme and commercial advertising.
Fossett's and Bailey's Circus Programmes, c1900 - 1999
Fosset's and Bailey's Circus programmes including Sir Robert Fosset's Circus, Baile's Circus and Fossett and Bailey's Circus
Fossett's Circus Photographs, c1930 - 1949
Behind the scenes black and white photographs of circus performers and animals from Fossett's Circus, mostly original but some are modern reproductions.
Fossett's Circus Research Material, c1900 - 1999
Two colour photocopies of Fossett's circus posters.
French Circuses Programmes, 1897 - 1978
Programmes for French circuses including Le Cirque de Paris, Bouglione, Grand Cirque de France, Cirque Gatini, Gruss le Cirque National, Cirque D'Hiver, Cirque Francki, Le Cirque de Montmartre, Santus Circus, Le Cirque a L'Ancienne, Cirque Amar, La Voix du Nord and others, containing colour illustrations and photographs on the front covers, inside black and white and colour photographs of perfomers and acts with text, programme and commercial advertising.
Galetti the Clown and his Ballerina Poster Design, 1971
Gouache on card poster design showing Galetti the clown on the grown looking up at a female performer in a pink tutu on the high wire, on a blue and white background.
Garry and Ernie Noe-Noe Comedy Act Advertising Pamphlet, c1900 - 1999
Three fold pamphlet with black and white photograph of the act playing a saxophone on the front cover and black and white photographs of the artistes performing different tricks inside and tex.
German Circuses Programmes, 1952 - 2007
Programmes for German circuses including Circus Krone, Aladin, German National Circus, Circus Stey, Circus Nock, Circus Bavaria, Circus Royal, Friedrichstadt-Palast, Alberti, Cirkus Frankello, Hagenbeck, Brumbach and others, containing colour illustrations and photographs on the front covers, inside black and white and colour photographs of perfomers and acts with text, programme and commercial advertising.
Gerry Cottle's All New Circus Programme, c1900 - 1999
Black and white photocopy of programme.
Gerry Cottle's Christmas Circus and Carnival Programme, 24 December 1992 - 10 January 1993
Wembley Exhibition Halls. Colour photograph of Jeremy Beadle wearing a red tail jacket and black trousers on bottom left corner with arms open wide and a fairground at night on the background on the front cover, inside introduction to Jeremy Beadle, colour and black and white photographs of acts and performers with text, programme in the centre, followed by articles on circus and fairground topics and commercial advertising, 8p.p.
Gerry Cottle's Christmas Circus plus Gigantic Indoor Fun Fair Programme, 20 December 1991 - 12 January 1992
Wembley Halls 1, 2 and 3. Colour photograph of Jeremy Beadle riding an elephant in circle in the centre of the front cover, over a yellow background, inside introduction, Gerry Cottle's story, colour photographs of acts and performers, programme in the centre and commercial advertising, 18p.p.
Gerry Cottle's Christmas Circus Programme, c1900 - 1999
Wembley Grand Hall. Programme on the centre in green type over yellowish background and illustration of seal balancing a Christmas pudding on its nose on the front, on reverse history of circus by Sandy Davidson.
Gerry Cottle's Christmas Circus Programme, c1900 - 1999
Wembley Grand Hall. Programme on the centre in green type over yellowish background and illustration of seal balancing a Christmas pudding on its nose on the front, on reverse history of circus by Sandy Davidson.
Gerry Cottle's Christmas Circus Programme, 1977
Royal Silver Jubilee programme. Blue and white illustration of clown on the left, roaring lion in the centre and ice skater on the right with circus tent and elephants and horses on the background and international flags above on the top section and programme below on the front cover, inside blue and white photographs of the circus and text, on back cover blue and white photographs of performers and text, 2p.p.
Gerry Cottle's Circus, Cottle and Austen and Burnt Stub's Circus Programmes, c1900 - 2001
Gerry Cottle Circus programmes including Circus of Horrors, Cottle and Austen, Cottle-Chipperfield Circus, Continental Berlin Circus, Moscow State Circus and Gerry Cottle's Circus abroad.
Gerry Cottle's Circus, Jumbo Colouring Book and Programme, c1900 - 1999
Blue illustration of an elephant wearing a coat with details of event on a blue background on the front cover, inside programme and different circus scenes for colouring, 6p.p.
Gerry Cottle's Circus Pamphlet, c1900 - 1999
Three fold pamphlet containing black and white photographs and various essays about Gerry Cottle's circus, the site of the circus, safety and comfort, animals and noise and nuisance.